Jan 31
I’m excited to announce that Goodnight, Goodnight for Band will be included in the “Directors Reading Band” session at the California All-State Music Education Conference on February 18th! Dr. Jesse Leyva will be conducting the session, which is being sponsored by JW Pepper. For the complete schedule of the Conference, click here.
Back in August, my good friend Chung Park asked me to write an arrangement of the Star Spangled Banner for Orchestra. He was conducting a concert with the Idaho State Civic Symphony at the end of September and he wanted to include the National Anthem at the opening of the concert. I had arranged the Star Spangled Banner a few years ago for chamber ensemble, and so I took that as a starting point for my new arrangement. Chung also took my orchestra arrangement to Florida and performed it with the Florida All-State Concert Orchestra earlier this month. The score and parts will be available for purchase on my website very soon! If you need it immediately, just contact me. Here is a recording from the Idaho State Civic Symphony with Chung Park conducting. The audience sang along, adding a really nice element to the piece, and they sound great!
Tomorrow I’m shipping off a score and parts to the University of Central Florida for “Nocturne IV” scored for saxophone quartet and flute ensemble (6 flutes, 2 altos, 2 basses, 1 piccolo). The work was commissioned by the University of Central Florida, at the request of saxophone professor George Weremchuk. The piece builds off of the fourth movement of my solo piano work “Nocturnes.” It was a fun and challenging task to write for this unique instrumentation, and I’m looking forward to hearing the result. Of course, the challenge when writing for a group like this is to effectively balance the saxophones and flutes – to write in a way that sounds like a unified group of winds rather than a separated group of saxophones and flutes. And while the piccolo can certainly overpower just about anything, the saxophone quartet could easily swallow up most of the flutes if not carefully scored. Hopefully I thought enough about these challenges while writing the piece to make the orchestration effective!
I felt like the material in the solo piano version of Nocturne IV lent itself well to winds. The mysterious and foreboding opening, with it’s quiet intensity would score well for low flutes, all by themselves. Leaving the saxes out in the beginning of the piece gives the alto and bass flutes a time to shine without competing with the sound of the saxophones. The saxes certainly do provide the low end throughout, and provide a lot of the driving force that comes with the “grooving” fast section. This is where I really expanded the piece in this new version – the fast section. The form of the sax/flute work is essentially a two and a half minute slow section, and a two and a half minute barn-burning fast section at q=138(!). A tiny bit slower would be fine too, but it really grooves around 138.
Nocturne IV for saxophone quartet and flute ensemble will be premiered at the University of Central Florida, at their annual Central Florida SaxFest on March 31, 2012.
Copyright © 2012 Steve Danyew. All rights reserved.
